Single-Serving Photo

That is the question.

Whether ‘tis nobler in the mind to wrangle the proprietary formats of your camera manufacturer, or to take arms against a sea of sidecar files, and by opposing, end them…

But enough pseudo-Shakespeare for one post.

There has been some chatter on the Interwebs lately concerning the DNG format: there are quality and archival concerns, whether it’s worth converting one’s entire library to the format, what the benefits might be, and whether one ought to care. Today, I weigh in. For what it’s worth.

Coincidentally, I’ve used the same post title as Matt Kloskowski did in his take on the subject on Lightroom Killer Tips. Matt didn’t add a pseudo-Hamlet line, though, so I feel like I’ve done the headline proud.

After the break, a complete rundown on DNG; trust me, it’s going to be technical and editorial. Read the rest of this entry »

You already know that I teach photography workshops, right? My buddy Chris and I have been teaching workshops for almost four years now, and although things were pretty slow in 2009, we are pushing ahead with a packed workshop schedule for 2010.

When you come on a workshop with Chris and I, you get to stand shoulder-to-shoulder with a total of 20 years of photography experience, heckle us with questions, meet people, and generally have a good time. Two instructors, awesome locations, and, here’s the sweet part… I’m giving you a discount.

Because you are still reading my humble blog after months of silence and because I value your loyalty and participation, I am offering you a great deal on my workshops this year. If you register for any workshop before March 1st, I’ll give you 10% off the price, just by mentioning this blog article when you sign up.

I’ll tell you what else. Just because I’m in such a good mood and excited to teach this year, if you want to register for more than one, I’ll give you 20% off of each of them. All you have to do is mention that I said so in the comments when you’re signing up on my website.

Look at this great lineup of workshops we have coming up this year!

I hope you have a couple of days to spend with us, I promise that our workshops will push your skills to the next level!

I generally post articles when I have something very useful to say, which is why my posts have been so sporadic. There are a myriad of sources for photography industry news and I always feel I am doing my readers a disservice by parroting every new equipment release or software upgrade here.

This time, though, a piece of “news” hit my screen that I had to share, and I hope that by reading it here you will receive the whole story and not just 1/3 of it as some people did when they got the information from digg, reddit, or similar.

We’re talking about megapixels, and we’re talking about marketing, and we’re talking about lies. Lies perpetrated by the manufacturers of point-and-shoot cameras with tiny little CCD sensors who keep increasing the megapixel count and marketing it like it’s the end-all be-all of imaging performance.

Not so! Read on… Read the rest of this entry »

Well, here it is, folks. As reported by Digital Photography Review, Rob Galbraith DPI, Engadget, and undoubtedly more, Canon has officially released the EOS-1D Mark IV, the latest digital SLR in their 1-series (“pro”) line.

I find it somewhat amusing that they chose to throw on the EF 50mm f/1.4 for their promo shoot; a lens that, for me, spontaneously stopped auto-focusing after only a couple years of use and that exhibits pretty significant vignetting. Nevertheless, the EOS-1D Mark IV is a fairly intense camera body, with its 10 frame per second burst mode, and ISO settings up to 102,400. You should be able to lay your hands on one here in the States for a mere $4,999.

Personally, I don’t think I’ll be purchasing a 1D Mark IV, if only because it has an APS-H sensor with a 1.3x crop factor and I am utterly spoiled by my 5D’s full-frame sensor. It is worth noting, also, that for the $4,999 that a brand new 1D Mark IV is going to cost you, you can pretty readily find a pre-owned 1Ds Mark III, which is 21 megapixels of full-frame goodness.

It really excites me that people are out there coming up with new techniques for photographing difficult subjects. It excites me even more that National Geographic has it in their budget.

Over on the right you see a photograph taken by Michael “Nick” Nichols (and his team) for National Geographic, which is on the cover (well, part of it is on the cover, it’s a huge photograph) of the October issue of the magazine.

The image was made by jigsawing 83 separate photographs together (which you can probably tell by the jagged edges), each of which was taken by one of three DSLR cameras mounted on a gyroscope-leveled, pulley-lowered rig that Nichols and his team designed for the purpose. You can check out the photo on Hack a Day of Nichols with his rig; it looks like they’ve got six Pocket Wizards on there (I don’t know what the other three are for) and maybe a couple of bicycle wheels. All in all, a very righteous hack.

This particular redwood is allegedly the “most architecturally interesting” tree in the world, with several forks and bends stretching 300 feet into the sky. It’s only been standing there for over 1,500 years(!!), but now it has been recorded in the annals of photographic history forever.

Via (one of my favorite blogs) Hack a Day, via National Geographic, via NPR