Single-Serving Photo

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In his latest blog post, Chase Jarvis mentions Wired editor Chris Anderson’s new book, FREE, which is more or less about the effects that digital media has had on the cost of distribution of creative works.

I haven’t read the book so I don’t claim to know what Anderson’s conclusions might be, though I have spent a lot of time ruminating on this whole free content movement that is slowly developing and I think it deserves some discussion. More of my ramblings after the jump. (more…)

Back in June I wrote an article about the Creative Commons project, Creative Commons: Good Idea?, in which I advocated the use of their licenses for promotional purposes and how that approach ties in with socially-driven sites like Wikipedia and Flickr.

This month the debate over Creative Commons licenses in photography flared up once more, with Jim Goldstein declaring that he would never use CC licenses, and Brian Auer retorting that he had before and would most certainly continue to in the future. Underscoring the points made by both of these fine fellows was an interview I read with author Cory Doctorow about giving away free electronic versions of books that brought many relevant points into play.

I’m revisiting the topic here today, not simply to agree or disagree with anything Goldstein, Auer, or Doctorow said, but rather to paint a picture of why I think the Creative Commons plays a very valuable role in photography in today’s copy-and-paste culture and why you should be thinking very seriously about how it can help you. (more…)

One of the most popular questions asked throughout the photography blogs that I read and on other discussion sites is “How can I go pro?” or “Can I make a living with my photography?” Everyone seems to have a different answer and the responses vary a lot depending on whether the individual answering is a working pro, and if they are, what industry they work in.

Despite plentiful arguments to the contrary, I do believe that photography can be a viable full-time job. Making it work for you requires flexibility and understanding of the marketplace. (more…)

Is it a good idea to give away work for self-promotion? Can you realize secondary gains from charity? I like to think of myself as a charitable person; my stance has typically been to give things away in the name of recognition rather than lock them up and hope to find a market for them in the future. I’d rather let the world see my work and appreciate it than stand on principle and be completely unrecognized.

That said, everyone has a different threshold of charity, and that threshold seems to be linked to their success and recognition. Completely unrecognized people give things away to gain exposure. After achieving success, they often stop giving things away to maximize their gains. Then, if they become very successful, they may begin giving things away again because they can afford to.

Because there are so many nuances to the ways in which creators may wish for their work to be used by others, the Creative Commons emerged, creating whole new gradations within the copyright system. Now, rather than saying “all rights reserved,” we can easily say “some rights reserved” and call upon a pile of pre-written legalese. Good idea? (more…)