Single-Serving Photo

Yesterday, Dan Heller posted an interesting article called Creative Commons and Photography in which he decries the Creative Commons not only as an ineffective and misguided licensing structure for photographers, but as a detriment to its own ends when used by them. I truly believe that he couldn’t be further from the truth, but because his article was so specific I would be doing everyone a disservice to leave my reaction as a mere sound bite.

After the jump, more of Dan’s rantings followed by more of my rantings, hopefully to end with a meaningful conclusion… But no promises. (more…)

Back in June I wrote an article about the Creative Commons project, Creative Commons: Good Idea?, in which I advocated the use of their licenses for promotional purposes and how that approach ties in with socially-driven sites like Wikipedia and Flickr.

This month the debate over Creative Commons licenses in photography flared up once more, with Jim Goldstein declaring that he would never use CC licenses, and Brian Auer retorting that he had before and would most certainly continue to in the future. Underscoring the points made by both of these fine fellows was an interview I read with author Cory Doctorow about giving away free electronic versions of books that brought many relevant points into play.

I’m revisiting the topic here today, not simply to agree or disagree with anything Goldstein, Auer, or Doctorow said, but rather to paint a picture of why I think the Creative Commons plays a very valuable role in photography in today’s copy-and-paste culture and why you should be thinking very seriously about how it can help you. (more…)

Is it a good idea to give away work for self-promotion? Can you realize secondary gains from charity? I like to think of myself as a charitable person; my stance has typically been to give things away in the name of recognition rather than lock them up and hope to find a market for them in the future. I’d rather let the world see my work and appreciate it than stand on principle and be completely unrecognized.

That said, everyone has a different threshold of charity, and that threshold seems to be linked to their success and recognition. Completely unrecognized people give things away to gain exposure. After achieving success, they often stop giving things away to maximize their gains. Then, if they become very successful, they may begin giving things away again because they can afford to.

Because there are so many nuances to the ways in which creators may wish for their work to be used by others, the Creative Commons emerged, creating whole new gradations within the copyright system. Now, rather than saying “all rights reserved,” we can easily say “some rights reserved” and call upon a pile of pre-written legalese. Good idea? (more…)

Someone might be publishing one of your photographs right now. Without your permission.

Photographers today are faced with the very real possibility that their rights are being violated due to the simplicity that digital media brings to the act of duplication and distribution of their work. Your ability as a photographer to understand and apply the tools and techniques available to protect your copyrights will contribute largely to how easily someone else can wrongly profit from your work and how easily you can seek remedies for that infringement. (more…)