Single-Serving Photo

Today on Single-Serving Photo I’m bringing you something a little bit different. Instead of news stories about amazing photographers, press releases about equipment you can’t afford, or overbearing pontifications on the usefulness of HDR as a medium for artistic expression… Drumroll please… Graphs.

To be more specific, graphs of modulation transfer functions. Dry-sounding? Absolutely! Exciting? I sure hope so! (more…)

It is easy to say that we are “standing at the crossroads.” Occasionally it’s even true, but the expression sounds so important, it evokes such responsibility, that it’s hard for scientists, technologists, journalists, historians, economists, and futurists to hold back the urge, even if the decision to be made is minor, the outcome arbitrary.

So recognize that it is with a full understanding that I say to you, right now, we stand at the crossroads of creativity. We’ve stood here before, we will stand here again, but I can say categorically that we stand here now and it is an important and exciting time to be a photographer. (more…)

I’ve posted about Canon’s involvement in the filmmaking industry before; in my cheekily titled Canon 5D Mark II in the (Dr.) House I reported on the use of the EOS-5D Mark II to film an entire season finale episode of House M.D.

Since then, the hipster Vimeo community has been running their Converse All-Stars threadbare filming hundreds of hours of content with the 5D Mark II and thoroughly enjoying it. But the 5D Mark II remains, at its core, a still camera. I mean, that’s what it was designed to do. The ability to record video is a cute add-on, and although it works very well for small-scale filmmakers in oversized scarves and skinny jeans, it falls short on many features a crew would need to film a real movie (regardless of wardrobe). (more…)

A while back I posted that cool video of how a Leica lens is hand-assembled. At the time I mentioned that I’ve never owned nor even used a Leica lens but that I respected the craftsmanship and care with which they are put together.

It occurred to me back then that I had, indeed, seen videos of Canon lenses being assembled (specifically their “L” series; I am not sure if the non-L lenses are hand-assembled or not) but I didn’t have the presence of mind to go find them.

Because I’m still mostly a Canon devotee I thought it wise to catch up with that thought and post these behind-the-scenes videos of a Canon “L” lens being assembled, yes, by hand. Truly it is a marvel of engineering and of manual dexterity at some points. Hopefully if you, too, are a Canon shooter, these videos will give you even more respect for the product you likely hold in such high regard.

This is a three-part series and takes you all the way from “how do we make sand into a lens” to “this is how we put the barrel together.”

You guys are going to love this video of the making of a Leica lens. Admittedly, I have never owned a Leica camera or lens, but their reputation is world-renowned and it’s worth seeing the care that they do put into their products. For what it’s worth, many Canon lenses are hand-assembled as well (certainly the “L” lenses are) and the effort pays off.

Leica Lenses (English) from leica camera on Vimeo.