Single-Serving Photo

Buchstabensuppe, by tillwe

For those of you Nikon shooters out there who ritualistically browse the B&H catalog and wonder What on Earth is a f/4.5-5.6G ED-IF AF-S VR DX lens, anyway?, now there is an answer for you, straight from our favorite bringer-of-technological-clarity, Bob Johnson at Earthbound Light.

In his post Nikon Lens Designation Alphabet Soup, Bob explains the meaning of all of those little acronyms that Nikon seems to throw around like confetti. At last, an understandable answer!

In my instruction I get asked a lot about how the five most fundamentally important settings of the camera work together to achieve the effects you desire. It can be hard to penetrate the curtain of photographic jargon, some of which can seem counterintuitive, so I decided to take a minute to explain all of this stuff at a very high level. If you have specific questions of your own, please leave a comment below and I promise that I will answer them.

The only five settings that you need to know are:

• Shooting mode
• Aperture (or f-stop)
• Shutter speed
• ISO sensitivity
• Exposure value (EV)

After the jump I will explain in detail. (more…)

I’ve read at least one account of how to move photos from one Lightroom catalog to another, which is pretty common if you travel with a laptop and make edits in the field (as I do). It’s a tremendous help to be able to spend hours on the flight home organizing and even editing images, but all of that work would be for naught if there wasn’t a nice, easy way to move those images and their corresponding metadata onto your primary computer.

Fortunately, there is! I will tell you how! (more…)

In the style of chef Gordon Ramsay, I will now shake my hand in the air beside my head and exclaim that the solution for anyone’s languishing business or hobby is to stay fresh, local, and honest. Though chef Ramsay is usually talking about produce and grass-fed beef, I am talking about capturing scenes right in your own community.

I might have mentioned in passing that my “day job” brought me to New London, Connecticut almost two years ago. New London is a rather scenic city positioned on the bank of the Thames river—very near to its mouth—which empties into the Long Island Sound. Although not without its social and economic problems, it is a historic city with a great deal of architectural and maritime attractions.

I was absolutely floored to be reading The Online Photographer and to run across a stunning photograph taken literally five minutes up the opposite bank of my river (yes, I own the river) in Groton, Connecticut by Tom Kaszuba (check out the post in question, his website, and his Flickr page). As one would expect, he’s received over 60 comments on that photo on Flickr, probably many thanks to Mike at TOP, and all of them are well-deserved.

So anyway, here is the image.

The Lighthouse Sanctuary, by Tom Kaszuba. New London, Connecticut.

Taking a few minutes to look through Tom’s Flickr page invigorated me and inspired me to photograph the very river and scenery surrounding me here in New London. He has captured the coast of the Thames and the city of New London in a unique and flattering way. My hat is off to you, Tom; keep up the great work!

Edit: One of my favorite blogs, Lifehacker, just posted a short article with a similar message, Take a Cheap Vacation in Your Own City. Therein, they suggest grabbing a guidebook for your area (you can usually find them at visitor’s centers, on your city or town’s website, at the city or town hall, or in a local library) and doing some of the suggested activities or visiting the suggested locations. This could be another great way to revitalize your photography without spending a lot or going too far.

As part of my contribution to Blog Action Day, I posted a story about being confronted by a park ranger while photographing using flashlights in the Great Smoky Mountains National Park.

Although I believe the ranger overstepped his bounds and acted with undue suspicion under the circumstances, my colleague and I reacted—in my opinion—in a completely appropriate way. We were very polite and understanding of the issues at hand and we recognized that Tennessee might do things a little bit differently than Connecticut. For example, in Tennessee, photographers get frisked under suspicion of poaching.

Anyway, it’s a good idea to hold up your end of the bargain if you do get approached by an officer of the law, and to act in a way that reflects positively on yourself and on all of us as photographers. Especially if there is a video camera in the officer’s car…

Yesterday, I ran across this article, 5 Things Photographers Should Do When Confronted By Police. It contains some helpful tips and might be useful to you in your travels.

It’s also a good idea to know your rights in these situations, and to help you I will once again point you toward Andrew Kantor’s Legal Rights of Photographers (pdf)¹ guide, a somewhat abridged yet very straightforward and understandable overview of your rights as a photographer (at least in the United States).

For a slightly more technical view, you may wish to read The Photographer’s Right by Bert P. Krages II (attorney at law). Although no advice given by an attorney from outside of your state could be said to be formal, anyone out there from Oregon just struck gold. For those of us who aren’t from the pacific wonderland, at least you can say that this advice was cobbled together by someone with actual legal training.

If you want to dive in yet further, please do visit the forums at PhotoPermit.ORG where you can read all about your rights, current events, and first-hand accounts of being hassled or confronted by authority figures both various and sundry.

1. Linked with permission. If that copy is down, get it from me [back]