Single-Serving Photo

Full-Spectrum Viewing Area for Under $15

Sunday, December 14th, 2008

How many times have you held up one of your photographic prints in the light of day—actual, real day—and thought That’s not at all what I bargained for? Never? Well that’s good. You must be one of the lucky ones, or one of the blind ones.

Even with the best equipment that money can buy, ICC profiles, spectrophotometers, an iron-clad color management workflow, and a high-end monitor, your eyes are the ultimate judges of your work. But eyes, they don’t work alone; you can’t see anything without light, and the quality of the light will have as much an effect on what you see as the color of the print itself.

I got onto this topic after reading Michael Johnston’s overview of his Viewing Station. All these years I’ve been experimenting with lights in my studio space, let’s call it Single-Serving Photo HQ—or, as my friends call it, my bedroom—and I never once thought to write about it.

After the jump I’ll tell you how to dramatically increase your viewing conditions for about $15. (more…)

Mastering the Only Five Camera Settings

Monday, June 30th, 2008

In my instruction I get asked a lot about how the five most fundamentally important settings of the camera work together to achieve the effects you desire. It can be hard to penetrate the curtain of photographic jargon, some of which can seem counterintuitive, so I decided to take a minute to explain all of this stuff at a very high level. If you have specific questions of your own, please leave a comment below and I promise that I will answer them.

The only five settings that you need to know are:

  • Shooting mode
  • Aperture (or f-stop)
  • Shutter speed
  • ISO sensitivity
  • Exposure value (EV)

After the jump I will explain in detail. (more…)

Because we, as photographers, so often use nature and the natural environment around us as subject matter in our work, it behooves us to try our best to preserve it. It’s very important when photographing in nature that we recognize our impact on the environment and do our best to minimize it.

In the Great Smoky Mountains this past week, I got a very personal introduction to one way our photography can greatly disturb the environment and so today I will talk about it.

This is my contribution to Blog Action Day, joining 15,000 fellow bloggers in raising awareness of environmental issues. (Yes, I know it was yesterday. Better late than never!) (more…)

Could Flash Be More Complicated?

Wednesday, September 5th, 2007

It’s not so much that flash photography is actually complex, but more that the available information tends to skip the fundamentals. In short, I love Strobist very much (and I’m not alone), but I felt left in the dark (pun intended) about a couple of small items after reading a recent post and I felt I should share the answers I came up with. (more…)