Single-Serving Photo

Using Lightroom is a joy compared to Photoshop. But it isn’t a joy compared to, for example, cheesecake. It’s definitely nice to be able to adjust nearly every aspect of an image with convenient sliders, to have all of the settings right in front of you without having to open lots of dialog boxes. At the same time, though, your mouse hand can get pretty tired, and that never happens with cheesecake, now does it?

Never fear, there is finally a solution. Well, the beginning of a solution. A solution in the early stages of beta testing, but a solution nonetheless, and it doesn’t involve uninstalling Lightroom and eating more cheesecake. Although you are welcome to eat more cheesecake anyway if that’s your thing. (more…)

Today is Louis Daguerre’s birthday, and Google is helping to celebrate it by devoting their logo to him. Happy 224th, buddy!

Wait, are you really about to ask me who Louis Daguerre was? Hey, it’s OK, to be fair the guy has been dead for about 160 years… Even so, in this line of work I sort of expected more from you. Maybe you’ve heard the word Daguerreotype before? Even my browser spell-checker knows that word. That’s right, it’s a photographic process; that’s probably close enough for most tabletop trivia games.

Unfortunately, this blog is not interested in tidbits of trivia, so get ready for facts. Lots of facts. With historical context. (more…)

It is easy to say that we are “standing at the crossroads.” Occasionally it’s even true, but the expression sounds so important, it evokes such responsibility, that it’s hard for scientists, technologists, journalists, historians, economists, and futurists to hold back the urge, even if the decision to be made is minor, the outcome arbitrary.

So recognize that it is with a full understanding that I say to you, right now, we stand at the crossroads of creativity. We’ve stood here before, we will stand here again, but I can say categorically that we stand here now and it is an important and exciting time to be a photographer. (more…)

It’s a sad day for Olympus, the venerable maker of both artistic and scientific optics equipment based in Japan. Business news outlets are reporting that Olympus has allegedly covered up decades of financial losses through questionably large payments to advisers and other tricks that could only be described as “cooking the books.”

Bloomberg’s photographer Tomohiro Ohsumi captured the photo at right of Olympus president Shuichi Takayama bowing his head during a news conference. On the front page of the Olympus global site, Takayama writes:

We wish to make a profound apology for all of the distress and trouble caused due to the recent series of media reports and fall in the stock prices triggered by our recent change in President.

No business executive longs to write words like those.

Read more coverage:

• Olympus Admits to Hiding Losses, The Wall Street Journal
• Olympus Says Top Executives Hid Losses For Decades, NPR
• Olympus Hid Losses With Acquisition Fees, Bloomberg

I’ve posted about Canon’s involvement in the filmmaking industry before; in my cheekily titled Canon 5D Mark II in the (Dr.) House I reported on the use of the EOS-5D Mark II to film an entire season finale episode of House M.D.

Since then, the hipster Vimeo community has been running their Converse All-Stars threadbare filming hundreds of hours of content with the 5D Mark II and thoroughly enjoying it. But the 5D Mark II remains, at its core, a still camera. I mean, that’s what it was designed to do. The ability to record video is a cute add-on, and although it works very well for small-scale filmmakers in oversized scarves and skinny jeans, it falls short on many features a crew would need to film a real movie (regardless of wardrobe). (more…)