Single-Serving Photo

Well, here it is, folks. As reported by Digital Photography Review, Rob Galbraith DPI, Engadget, and undoubtedly more, Canon has officially released the EOS-1D Mark IV, the latest digital SLR in their 1-series (“pro”) line.

I find it somewhat amusing that they chose to throw on the EF 50mm f/1.4 for their promo shoot; a lens that, for me, spontaneously stopped auto-focusing after only a couple years of use and that exhibits pretty significant vignetting. Nevertheless, the EOS-1D Mark IV is a fairly intense camera body, with its 10 frame per second burst mode, and ISO settings up to 102,400. You should be able to lay your hands on one here in the States for a mere $4,999.

Personally, I don’t think I’ll be purchasing a 1D Mark IV, if only because it has an APS-H sensor with a 1.3x crop factor and I am utterly spoiled by my 5D’s full-frame sensor. It is worth noting, also, that for the $4,999 that a brand new 1D Mark IV is going to cost you, you can pretty readily find a pre-owned 1Ds Mark III, which is 21 megapixels of full-frame goodness.

Today we wrapped up our “Colonial Cape Cod” workshop (I’m writing this in our little Radisson hotel room, just about to pack up and leave). Here’s a peek at Chris and one of our workshop participants admiring a pretty nice sunset on the National Seashore (taken with my 15mm fisheye lens):

As the sun got lower, the sky got even more interesting. Here’s one of the keepers from that group that I can show off because it’s my blog so I get to subject you to whatever I want:

Coming up, we’ve got a really cool workshop in Acadia National Park in Maine (that’s October 16th through 18th), and then in November we’ll be doing yet another one-day Boston workshop if anyone wants to walk around the freezing streets of Beantown and pick up some tips.

It’s been quite a hiatus for me and for Single-Serving Photo. My last post here was back in February, and so much has happened since then! First of all, if you’re reading this, thank you for not deleting me from your feed reader or taking me off of your bookmarks list. I know I haven’t been the chatterbox I once was, but I don’t like to post link wrap-ups and two-sentence thought fragments just for the sake of putting something online.

Anyway, on with the show!

First things first, JPG Magazine is back! After being effectively shut down due to budget and business problems, JPG has resuscitated itself mostly thanks to the outpouring of support from its community and highly visible demonstrations such as savejpg.com which presumably gave investors the confidence they needed to pump more necessary capital into the parent company of JPG Magazine, 8020 Media.

Now that JPG has risen from the dead, maybe I’ll actually contribute something! You should, too.

Second, my little hands-on instruction business, ArtPhotoWorkshops.com is going to be doing a series of low-cost, short “photo-walk” workshops in the New England area. Starting with Cape Cod in a week and then Boston after that, I plan to take us out to Newport, Rhode Island, possibly Northampton, Massachusetts, maybe even out to the Quabbin Reservoir for the nature lovers.

If there are places you’d like to explore and learn technique, composition, and mechanics of photography, leave a comment and I’ll see if we can visit them!

I just returned from Las Vegas and Death Valley on a workshop, no photos to show yet, but I think it was an extremely successful trip. Death Valley is by far one of America’s most impressive sights, I recommend seeing it once in your life (or if you’re crazy like me, twice). Las Vegas is a very challenging location to photograph, but I think I was able to snag at least a small number of cool images in between games of craps and tall beers!

There are a few other cool things I want to share, so stay tuned for kite photography, painting with a car, and my opinions on both.

Ritz Camera, while providing useful and satisfying services to some, has long been the target of my criticism. I find it laughable that free-minded individuals would pay Ritz’s extortionate prices for equipment and gain nothing but instant gratification from the ordeal. Their warranty leaves much to be desired, and though Ritz employees can sometimes be knowledgeable, there is definitely no guarantee of that.

Someone who would walk into a Ritz Camera (or their other brands, like Wolf Camera) and purchase a softbox made by some second-string manufacturer solely on the recommendation of an AP stringer who got the job at Ritz because the AP doesn’t even like them that much (no offense to AP stringers in general, here), is a fool. Plain and simple.

When the hardened, seasoned advice of a B&H sales associate is only a phone call away, and when that advice is backed by an enormous inventory of equipment available, usually immediately, from their warehouse, it seems a ridiculous proposition to even set foot into a Ritz Camera except in times of utter and complete desperation.

It surprises me to see customers milling about in Ritz without beads of near-boiling sweat rolling down their faces, because I can’t imagine a world where trusting my needs to a place like Ritz could be anything less than forced on me by dire circumstance.

That said, Ritz Camera has filed for Chapter 11 federal bankruptcy protection.

The reign of terror is almost at its end.

I don’t usually do these short news-breaking stories, but this one actually irked me. Rob Galbraith, notable photographer and outstpoken reviewer of photographic equipment and technique, published a story in his blog, Rob Galbraith: DPI, pitting the late-2008 unibody MacBook Pro 15” display against the displays of two similar laptops, the Dell Inspiron and the IBM/Lenovo ThinkPad T60.

Conclusion? Despite Apple’s long-held position as a maker of laptops uniquely suited to field shooting, Galbraith says, “In ambient light environments which induce screen reflections, the late-2008 MacBook Pro 15 inch’s glossy screen moves deep into the not acceptable category.”

Though it remains in the running for one of the more accurate displays among laptops, it fails to outshine the Inspiron or the ThinkPad in overall color accuracy or viewing angle flexibility, according to Galbraith’s hands-on analysis.

Of course nothing is totally black and white in the field of photography or even technology, so be sure to read his full review and peruse some of the responses on the Slashdot post.