• Finding My Style

    I’ve been through stages in my practice of photography, which I’ve been doing on and off for at least 20 years now. I want to talk about my journey toward finding “a style,” why you might want to do it too, and how your art aligns or overlaps with commercial and social interests.

    I’ll try to keep this focused and brief, though there are some topics in here I’ve been thinking about for years, so there may be jumping-off points for separate posts. If such an area interests you, please comment and let me know!

  • Can You Learn Photography With a Smartphone?

    You absolutely can.

    If you have any device that can capture an image of what’s in front of you, and with which you have at least some control over the composition, focus, and exposure, you sure as hell can learn photography with it. In fact, if your device is a smartphone, it even has some unique advantages over other kinds of cameras, which I will dive into today.

    It is no secret at this point that today’s smartphones are capable of taking amazing photographs, but the question I want to really dig into is can learning photography with a smartphone be an on-ramp for more “serious” photography? To be clear, I believe that answer is also “Yes.”

  • You Probably Don't Need an F/2.8 Lens

    Photo by Matthias Oberholzer

    I’m serious. You probably don’t.

    Here’s the thing, guys, if you need a lens with an f/2.8 or larger aperture, you already know it, so why are you reading this article? Perhaps you suspect that I’ll talk you out of it somehow, teach you something you don’t know about the fundamental physics of light and save you a few bucks.

    Well, sorry to let you down, but I won’t be breaking any laws of physics today. But if you’re here because you’re actually not sure if you should spring for that fancy and expensive f/2.8 lens, I think I can talk you out of it, unlike Nando Harmsen of Fstoppers, who decidedly expressed almost no opinion at all.

  • Yellowstone Photography Guide

    If you’re considering a trip to Yellowstone for landscape or nature photography, you are absolutely in for a treat. Among the 61 US national parks, Yellowstone is easily one of the most unique and memorable, mainly thanks to its geothermal features such hot springs and geysers and its abundance of megafauna including bison and elk.

    I’ve photographed in Yellowstone on two separate occasions and came away with a few of my most favorite images. There are huge opportunities to create unique images in this park.

    In this article, I want to go over what I think you should know before you head out to Yellowstone, show you some of the locations I really enjoyed shooting, and give you some of my hard-won tips and tricks.

  • Fixing Sony's Grip

    Artist's rendition of small grip anger

    Years ago, when I decided to sell all of my Canon gear and switch to a mirrorless Sony system (the NEX-7, at the time), I was running away from giant, heavy equipment that actually made me less likely to take my camera with me, just because of the inconvenience of it.

    I loved, loved, shooting the NEX-7. So small and light, and yet it took amazing pictures, and there were (and still are) tons of lenses for the mount, from all different makers.

    But once I got a couple bigger lenses, and then ultimately moved to the a7II, that tiny grip just would not do.

    To the right, observe an artist’s rendition of my emotions while using the grip on my a7RIII, where you can see that my entire pinky finger has nowhere to go. Nowhere but into a little cramped ball during a day of shooting.

    I don’t fault Sony for this at all; if you want a smaller camera, that’s what you’re going to get, but I had to do something, and do something I did.

    Read on to learn about my voyage through the world of “quick release plates” and “L brackets” and why you should absolutely be using an “L” bracket on your camera.